Menu

Asian

Rianne's Score (Click post title for review)
Readers' Score (Click the stars to rate)
[Total: 0    Average: 0/5]

After getting one of my films on Viddsee last year (Thanks to Alem Ang for curating my film for it), this time, I got invited to be a Viddsee curator:

“It’s great to have you join us in this journey with your film up on Viddsee! We’re looking for a community of awesome curators to help surface Asian stories from their own countries!

We believe in the future of digital cinema we’re currently building. Love to grow these communities of filmmakers, audiences and creative influencers with your support in what we do 🙂

Our curators have been recommending good films to us from where they are. Will you be interested in curating Asian films together with us?”

So if you guys have an awesome short that you would want to be part of the #Viddsee community of Asian short films, kindly email me the (private or public) link at: awitkulayan@gmail.com. Hopefully, you will soon be part of our growing filmmaking community that features awesome shorts across Asia.


Got Invited as Viddsee Curator, Send Your Films!
Rianne's Score (Click post title for review)
Readers' Score (Click the stars to rate)
[Total: 0    Average: 0/5]
How does technology affect your life?

Shot December 2008, premiered June 2009… 6 years after premiere and 3 years after last award, Technophilia is still getting around. Check it out as “Film of the Day” for Viddsee, curated by Alem Ang.

technophilia 1
Shooting Format: 16mm

Screening Format: HD

Running Time: 7 minutes

Acknowledgments: Colorwheel Media Studios, Korean Film Council (KOFIC), Korean Academy of Film Arts (KAFA), and Korea University (KU), Asian Film Professionals Training Program, Hit Productions

You can check out more about the film via its Facebook page: https://www.facebook.com/pages/Technophilia/178031655605594?fref=ts

Via its film blog: http://www.technophiliafilm.blogspot.com

Via IMDb: http://www.imdb.com/title/tt1459060/

And Viddsee: https://www.viddsee.com/video/technophilia/ls76n

Technophilia Poster
Film poster by Joods Feliciano
Thank you to the KoBiz (Korean Film Council), Korean Academy of Film Arts, and Korea University for the support. Thank you to Seymour Sanchez for the opportunity to know about KOFIC. This is the unplanned, spur-of-the moment film that brought me to places. Thank you so much!
My Film ‘Technophilia’ is Film of the Day at Viddsee
Rianne's Score (Click post title for review)
Readers' Score (Click the stars to rate)
[Total: 0    Average: 0/5]

Ong-bak movie review

Direction
Story & Screenplay
Cinematography
Production Design
Sound & Music
Editing
VFX/Animation (if any)
Acting/Voice Acting
Average

“Ong-Bak” amazes and defies the Hollywood cheats of stunt doubles, using CGI and animation, and working on strings while shooting on chroma to let the characters’ actions fly and soar high. This action fare shows the real deal — what a martial arts expert can really do without resorting to any of cinema’s magic tricks.

The film presents the art of Muay Thai in a contemporary scene. Yet, it carries on the Thai people’s culture and traditions, as inspired by their ancient fighting spirit. Muay Thai transforms the human body into a multifaceted weapon for close-combat fighting. The way it is presented on screen allows it to work as a newbie’s primer on techniques to hit people with the elbows, arms, knees, and feet through conceivably defensive stances. Moreover, this motion picture exposes the deep spiritual training involved in the serious practice of Muay Thai.

More than anything else, what strikes most in this movie is not the story, script, or acting — it is clearly the symphony of flying bodies, breaking bones, and elaborately staged chasing scenes. Ting (Tony Jaa) defies gravity and challenges physics with his authentic Muay Thai moves. He leaps over cars, two intersecting bicycles, market stalls, and he even jumps on top of people’s heads. He slides under a moving truck and runs and escapes through a large coil of barbed wire.

Ting keeps the hype strong throughout the film’s running time. All his fight scenes are simply jawdropping. They are all spectacular enough that viewers would probably ignore any possible flaw in the film. His very impressive stunts put life to a considerably lifeless or less of a life story, which unimpressively utilizes the overused plot of a hero finishing a mission. Things could have been really dragging early on, but seeing Ting outrunning gangs in strictly designed obstacle courses placed in everyday Bangkok’s busy streets is really quite a treat.

The story is very simple. There are no much complications on the storyline and the ultimate goal to finish the main character’s mission is very clear. There is no time for romance or any fuss about the material world — just bring back the statue using the art of Muay Thai.

The opening sequence of the tree-climbing contest sets the pace of this Asian action flick. It fills every frame with impressive camera movements that take advantage of all those kick-ass stunts.

The take-off of the story happens when the ancient Buddhist statue Ong-Bak gets stolen. The town’s hero Ting is bound to bring back Ong-Bak’s head. He maintains a clear heart and mind to not fight for the reason of vengeance, money, or personal gain, but only to retrieve the sacred statue. He vows to become a monk upon the statue’s return to his town.

The attempt to promote the metaphor of being a god and stealing the head of a town’s god through the local crime and drug lord generally works for the story. The idea that he has the money and power to control and dictate who he wants dead and who he wants alive validates his dialogue of being the true evil of a god himself.

The reddish colorgrading works for the film’s overall visual requirements. The dynamic camerawork remains raw in the final presentation with the exception of the use of basic slow-motion and fast-motion effects. Car mounts are used for the elaborate chasing scenes.

There is clearly no budget alloted for hard-core visual effects, but a big portion of the budget gets into the burning of cars, falling three-wheeled Thai vehicles, destroying market stalls, pounding bottles, chairs, and tables, and even lamps and appliances. A huge chunk of the budget may have also been used in making a number of giant statue heads, which are mostly shot underwater and in a cave.

The rawness of what’s captured during the principal photography fits the action-packed sequences. However, some scenes suffer from too choppy editing that if not for the extraordinarily striking moves of the main character, audience engagement would readily spiral down the drain.

The question of using guns against Ting, like in the cave sequence, remains a bit of a pitfall in the story’s realistic treatment. This is obviously incorporated into the plot to control and contain the action scenes in favor of hand-to-hand combat.

One interesting fight scene that is definitely worth mentioning features Ting catching fire on his legs, then he attacks his opponents with his blazing legs.

Martial arts enthusiasts can get a lot from Jaa’s moves. With the greatly impressive action amidst the not so compelling story, the authentic fight scenes really make this movie worth the price of admission.

“Ong-Bak” is a breath of fresh air from the usual Hollywood action flicks, which are merely reliant on quick editing, stunt doubles, and special effects. Watch it for the action. It’s worth it.

‘Ong-Bak’ Film Review: No doubles, no strings, no CGIs
Skip to toolbar