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Whether owning an entry level, enthusiast, or professional Canon DSLR camera, it is an imperative to also own at least one Canon lens.

Canon EF-S 18-55mm f/3.5-5.6 Lens
Using Canon’s Optical Image Stabilizer technology, this lens delivers sharp handheld shots at shutter speeds up to four stops slower than the usual. This expands picture-taking possibilities any time slow shutter speeds are needed. With focal length and maximum aperture of 18-55mm f/3.5-5.6 II, its aspherical lens element corrects aberration for excellent image quality throughout the zoom range. Meanwhile, its circular aperture works well for the exquisite rendering of shots with out-of-focus backgrounds.

Canon EF-S 10-18mm f/4.5-5.6 Lens
Given its optical qualities and the 2 to 3 stops of stabilization given by its IS system, the magazine SLR Gear called it ”the best bang for you buck for this type of lens with extremely sharp and excellent AF performance.” When taking its extraordinary low price point into account, this light, compact, and affordable lens turns out as a no-brainer choice for a large number of DSLR kits.

Canon EF 40mm f/2.8 Lens
The small but mighty package is literally pocketable for being less than an inch thick and weighing less than 5 ounces. This makes it work as a great backup lens so the user can have something extra to shoot with.

Canon EF 50mm f/1.8 Lens
As a normal prime lens that is significantly sharper than the kit lens, this remarkably affordable piece turns out as the best value lens in terms of the quality of output. Aside from its reliable STM focusing motor for faster, quieter autofocus, its extremely fast aperture works great for images requiring blurry backgrounds and images shot in low light. It is also worth noting that when this lens gets used with a 35mm film or full-frame sensor, it is widely considered to match the perspective seen by the human eye.

Canon EF 70-200mm f/4L Lens
Its exceptional build quality with excellent and very even optical performance makes it one of the most popular lens for photographers moving to professional lenses. It generally lasts as a workhorse, especially to portraitists, wedding and event photographers, and fashion shooters.
Being a professional grade “L” lens allows it to retain its value extremely well.

Canon EF 100mm f/2.8 Lens
With silent USM focusing motor and full-time manual focus and 4 stops of image stabilization at normal focus distances, the Canon EF 100mm f/2.8 lens offers the reliability of reproducing an object the size of the image sensor, known as 1:1 magnification. This great and versatile telephoto lens with a convenient 100mm focal length focuses to infinity, just like regular lenses, making it usable for portraits. It produces sharp picture and boasts a unique hybrid IS system designed for macro shooting to work as well.


Most Popular Canon Lenses Worth Buying
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After getting one of my films on Viddsee last year (Thanks to Alem Ang for curating my film for it), this time, I got invited to be a Viddsee curator:

“It’s great to have you join us in this journey with your film up on Viddsee! We’re looking for a community of awesome curators to help surface Asian stories from their own countries!

We believe in the future of digital cinema we’re currently building. Love to grow these communities of filmmakers, audiences and creative influencers with your support in what we do 🙂

Our curators have been recommending good films to us from where they are. Will you be interested in curating Asian films together with us?”

So if you guys have an awesome short that you would want to be part of the #Viddsee community of Asian short films, kindly email me the (private or public) link at: awitkulayan@gmail.com. Hopefully, you will soon be part of our growing filmmaking community that features awesome shorts across Asia.

Got Invited as Viddsee Curator, Send Your Films!
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Rianne Hill Soriano Demo Reel

This three-minute reel features selected directorial project clips from both my commercial works and independent films.

These excerpts showcase animation, motion graphics and interactive video productions, emotion pieces with kid, family, couple, and adult characters, diverse genre scenes, natural and man-made tourist attractions, industrial spaces, and realty structures.

Music inspired by Ghostpocalypse by Kevin MacLeod (incompetech.com), licensed under Creative Commons: By Attribution 3.0 and arranged and mixed by Philip Arvin Jarilla.

Please watch in HD if you can. Thanks!

Rianne Hill Soriano Director’s Showreel
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My most personal edited project to date; our most personal video collaboration to date. Thanks to our frequent collaborator production designer Joy who made my GoPro bridal bouquet inspired by our “Denim Neo-classic” theme. Like the designs for our wedding, the bridal bouquet used recycled materials as well.

I shot my own wedding and my husband, who frequently collaborates with me on my film and commercial projects as sound engineer and/or scorer, worked on the audio requirements.

For the most part, this wedding film was shot on a first-person perspective, giving a raw, more personal and genuine chronicling of a wedding from the viewpoints of those involved in this special occasion.

Let us share the intimacy of a wedding celebration from the “other” camera perspective — the bride’s. And at some point, the couple’s and the wedding party’s perspectives as well.

Watch the entirety of the professionally edited 29 minutes, 38 seconds of this GoPro-shot wedding or simply give the first 3 minutes a chance, then let’s see if you want to keep up with what’s next…

Best watched in HD (1080p).

Next time, we’ll upload the official wedding video with full coverage of our wedding celebration from the traditional perspective, then there will be a balance between the two points of view.

#riannephilipwedding
#GoPro
#wedding

Click here for:
Rianne and Philip Wedding Facebook Page
Rianne and Philip Wedding Website

Rianne & Philip Wedding Shot with GoPro Bridal Bouquet
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Video #2 documentation filmed during the “Inside Out” Press Conference in Manila, Philippines with director Pete Docter and co-director Ronnie del Carmen.

Ronnie talks about his Filipino colleagues at Pixar and their advocacy projects, then Pete and Ronnie discusses their successful working relationship starting from the film “Up,” then all the way to “Inside Out.”

Unplanned handheld shots with my GoPro, and I guess the footage turned out fine nevertheless — thanks to the awesome responses from these two smart and creative guys from Pixar.

Video #2: ‘Inside Out’ Co-director Ronnie del Carmen Talks About Pixar and Pixnoys
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Video #1 documentation filmed during the “Inside Out” Press Conference in Manila, Philippines with director Pete Docter and co-director Ronnie del Carmen.

From filmmakers’ introduction to the “Inside Out” story development to Pete and Ronnie’s working relationship at Pixar.

Unplanned handheld shots with my GoPro, and I guess the footage turned out fine nevertheless — thanks to the awesome responses from these two smart and creative guys from Pixar.

Video #1: How the Story Came About From the ‘Inside Out’ Directors
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Inside Out photo courtesy of Disney-PixarInside Out photo courtesy of Disney-Pixar
Inside Out photo courtesy of Disney-PixarInside Out photo courtesy of Disney-Pixar

 

 


Inside Out photos by Rianne Hill Soriano

Disney-Pixar’s Inside Out Press Conference in Manila with director Pete Docter and co-director Ronnie del Carmen, Friday, Aug. 7, 2015 at the Makati Shangri-la Hotel Isabela Function Room.

Inside Out Press Conference in Manila Photos

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out photos by Rianne Hill Soriano

Inside Out Photos Courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

Inside Out photo courtesy of Disney-Pixar

 

Photos: Inside Out Filmmakers Press Conference in Manila 2015
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How does technology affect your life?

Shot December 2008, premiered June 2009… 6 years after premiere and 3 years after last award, Technophilia is still getting around. Check it out as “Film of the Day” for Viddsee, curated by Alem Ang.

technophilia 1
Shooting Format: 16mm

Screening Format: HD

Running Time: 7 minutes

Acknowledgments: Colorwheel Media Studios, Korean Film Council (KOFIC), Korean Academy of Film Arts (KAFA), and Korea University (KU), Asian Film Professionals Training Program, Hit Productions

You can check out more about the film via its Facebook page: https://www.facebook.com/pages/Technophilia/178031655605594?fref=ts

Via its film blog: http://www.technophiliafilm.blogspot.com

Via IMDb: http://www.imdb.com/title/tt1459060/

And Viddsee: https://www.viddsee.com/video/technophilia/ls76n

Technophilia Poster
Film poster by Joods Feliciano
Thank you to the KoBiz (Korean Film Council), Korean Academy of Film Arts, and Korea University for the support. Thank you to Seymour Sanchez for the opportunity to know about KOFIC. This is the unplanned, spur-of-the moment film that brought me to places. Thank you so much!
My Film ‘Technophilia’ is Film of the Day at Viddsee
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Film: A Collaborative Art

Most of the time, the only person who seems to easily get that ultimate right to be called a filmmaker is the director. But come to think of it — film is a collaborative art, an audio-visual medium created out of moving pictures. This means to make a film requires the director to work with producers, artists, artisans, and technicians from varying fields in order to translate the script and the director’s vision into a moving picture. Each has his/her own expertise that becomes an asset for the film project.

The Filmmakers

On a personal note, any person involved in a film production are filmmakers, regardless of the specific work s/he does in the production. Since “filmmakers” are the people behind making films, this supports my conviction that everybody involved in the filmmaking process earns the right to be called a filmmaker: whether the utilityman, the members of the art department, the lighting crew, the production manager, the actors and actresses, the producer, just to name a few. All of them are filmmakers, just like the director.

With advocating the conviction of calling film workers as filmmakers, it’s a matter of perspective and respect. This is not to say that I am making an absolute statement of what’s right or wrong in this culture- and art-driven industry. This particular concern simply means living up to a particular stand in an industry I am part of.

The Profession

Unlike professions requiring professional examinations and getting licenses prior to practicing, the filmmaking profession primarily depends on the outcome of one’s work in order for the person to have the “guts” to say that “filmmaking is my profession — that I’m a filmmaker.” Yet, at this time and age, anybody who has a video camera or even a mobile phone camera can come up with a film and put it up in Youtube… Ergo, “I’m a filmmaker.”

Claiming oneself as a filmmaker is really a matter of perspective and paying respect to the work. Like the issue that anybody who can play the guitar who can easily call himself/herself a guitarist or a musician, there is often that issue of some people branding themselves as a filmmaker in a manner that is more appropriately utilized by serious film students, amateurs, and professionals. Actually, being called a filmmaker is not about being an amateur or a professional. Either way, one can be a filmmaker. It all boils down to paying respect to the craft, being sincere about the profession, and being confident of one’s work.

Film Workers as Filmmakers
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The Hurt Locker list of Oscar wins

Direction
Story & Screenplay
Cinematography
Production Design
Sound & Music
Editing
VFX/Animation (if any)
Acting/Voice Acting
Commercial Flair
Average

The disclosing of the 2010 Academy Award Winner for Best Picture was without suspense as Tom Hanks opened the envelope and readily divulged “The Hurt Locker” as the film that garnered this year’s Oscar nod. Yet, it was full of surprises and intrigues as this relatively small film defeated the biggest contender for the award which was no less than the world’s highest-grossing film of all time to date — Avatar.

Director Kathryn Bigelow, writer Mark Boal, and producers Nicolas Chartier and Greg Shapiro accepted the award.

This Iraq war drama walked away with five more awards including Best Original Screenplay for Mark Boal, Best Film Editing for Bob Murawski and Chris Innis, Best Sound Editing for Paul N.J. Ottosson, Best Sound Mixing for Paul N.J. Ottosson and Ray Beckett, and for the record, the Best Director for the first woman filmmaker to ever receive the coveted Oscar for film direction — Kathryn Bigelow.

“The Hurt Locker” also received nominations for Best Actor for Jeremy Renner, Best Cinematography for Barry Ackroyd, and Best Original Score for Marco Beltrami and Buck Sanders.

The other nine nominees for the Best Picture Award were: “Avatar,” “Inglourious Basterds,” “The Blind Side,” “District 9,” “An Education, Precious: Based on the Novel ‘Push’ by Sapphire,” “A Serious Man,” “Up,” and “Up in the Air.”

Bigelow and the rest of her collaborators expressed how unreal and extremely humbling it was to receive the award and that they never imagined it in their wildest dreams. They also expressed their gratitude to their intrepid financier and fellow producer Nicolas Chartier who bet on the movie when no one else would. They also dedicated the award to the entire cast and crew. They reiterated their respect and honor to the people in uniform who dedicate their lives in service of the country. From the military to the firemen, they gave their utmost gratitude to them in their speeches.

As for the historical feat of Bigelow besting her award-winning compatriots including Quentin Tarantino for “Inglourious Basterds,” Jason Reitman for “Up in the Air,” Lee Daniels for “Precious: Based on the Novel ‘Push’ by Sapphire,” and her ex-husband James Cameron for “Avatar,” presenter Barbara Streisand made the historical announcement during the Oscar Night last March 7, 2010 with the words “Well, the time has come,” right before saying Bigelow’s name. Bigelow accepted the award with the words “There’s no other way to describe it. It’s the moment of a lifetime.”

Best Picture – The Hurt Locker,” Oscars.com

‘The Hurt Locker’ gets 2010 Oscar nods for Best Picture and Direction
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3D movies are actually older than most people think. Way before the latest 3D craze of our times, a number of 3D flicks during the 80’s were already hitting the box office. In fact, the 50’s and even decades earlier all became witnesses to a number of 3D movie offerings. The catch of these older movies (mainly using the anaglyph-style 3D via those red and blue glasses) was how they tend to amaze the viewers with that so-called “jump of the screen” effects.

Now, in the era of IMAX 3D, Real 3D, and Dolby Digital 3D, this best 3D movies list rekindles the long-gone hype of what 3D technology can offer to the big screen.

Since the resurgence of 3D movies from the mid-2000’s to March 2010, I have been personally hoping to catch the old 3D movies of yesteryears, then have them compared with what the modern times offer. But for now, these films from the new era of 3D filmmaking (using 3D stereoscopic technology) are my best picks for the Top 5 Best 3D Movies List as of March 2010:

1. “Avatar”
Year: 2009
Director: James Cameron
Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Joel Moore, Giovanni Ribisi, and Michelle Rodriguez
Plot: After the sudden death of his twin brother, the paraplegic war veteran Jake takes his place in a mission to infiltrate the Na’vi, a humanoid race from the distant world Pandora, through the use of an avatar. In exchange for the spinal surgery to fix his legs, he submits to the instructions of the military authorities and corporate executives, only to find himself torn between the greed of his own race and the need and value of an alien civilization that he begins to embrace.

This bold 3D eco-opus examining technological wonders and morality is totally jaw-dropping in stereoscopic 3D. Period.

2. “U2 3D”
Year: 2007
Director: Catherine Owens and Mark Pellington
Cast: U2 as themselves (Bono, Adam Clayton, Larry Mullen Jr., and The Edge)
Plot: With everything entirely shot with more than a dozen 3D cameras, U2 3D offers a groundbreaking concert movie featuring the legendary band U2’s 2006 “Vertigo” tour.

This rock documentary provides a perfect marriage of surround sound and 3D visuals that it felt like attending a real concert. At the IMAX theater, I and the rest of the viewers were standing, singing, holding up concert stuff, and jumping from our places with an energy like that from a real concert.

3. “Deep Sea 3D”
Year: 2006
Director: John Hall
Voice Narration: Kate Winslet and Johnny Depp
Plot: As a 3D nature documentary exploring the awe-inspiring depths of the oceans around the world and their marvelous creatures, this film becomes a spectacular journey around the homes of the many aquatic wonders of the planet.

This visually enticing 40-minute film offers a worthwhile 3D experience. It is breathtaking, educational, and so full of life. From the stunning and colorful species to the grotesque and weird sea creatures, it allows the audience to really feel the valuable presence of all these life forms and how significant they are in a world that humans should fairly share with them. How engrossing this short but meaningful movie is? Many of us inside the theater ended up personally touching mid air for several times to feel those majestic fishes that were seemingly right in front of us.

4. “Coraline”
Year: 2009
Director: Henry Selick
Voice Cast: Dakota Fanning, Teri Hatcher, Jennifer Saunders, Keith David, and Ian McShane
Plot: Based on Neil Gaiman’s novel, this 3D stop-motion animation project offer tells the story of the little girl Coraline who moves to an old house and discovers an alternate version of her life there. Feeling bored and neglected by her parents, she finds solace on the parallel reality of this other version of her world (where everybody has buttons instead of eyes). She initially finds it way much better than her real life. However, her adventure gradually turns into danger and she struggles to find her way home to save her real family.

This animated offering sets a significant template on how 3D films should be. It provides great storytelling, just enough “jump-out-at-you” moments, and a fantastical vision though its dark fantasy treatment. It effectively envelops the audience with an immersive adventure the way Coraline experiences it. The 3D imagery is utilized for the best of the film instead of becoming a mere 3D cash-cow gimmick.

5. “Beowulf”
Year: 2007
Director: Robert Zemeckis
Cast: Ray Winstone, Anthony Hopkins, John Malkovich, Robin Wright Penn, Crispin Glover, and Angelina Jolie
Plot: The Danish king Hrothgar succumbs to the havoc initiated by the monstrous troll Grendel. He offers rewards for his death and the great warrior Beowulf lives up to the task. He soon becomes king. However, his darkest secret gets back at him decades after when Grendel’s evil mother, whom Beowulf had a life-enduring bargain with before, brings to his kingdom its worst nightmare.

Zemeckis’ foray into the world of actor-based computer animation turns this classic literary tale into a different kind of sensory experience in 3D animation format. It blends CGI, motion capture, and 3D sterescopic technologies to bring a level of 3D appeal that has become a pioneer for its time.

Top 5 Best 3D Movies List 2010
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