‘Mad Max: Fury Road’ Film Review: Mad symphony + feminine fury

May 22, 2015 - 3D, Action, Classic, Disaster/Post-apocalyptic, Epic/Adventure, Film Reviews, Films, Films I Like, Flicks, Heroes/Superheroes, Hollywood, Road Movie, Satire/Parody/Commentary, Sequel
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Mad Max: Fury Road movie review

Story & Screenplay
Production Design
Sound & Music
VFX/Animation (if any)
Acting/Voice Acting
Commercial Flair

“Mad Max: Fury Road” is supercharged with its own dose of resonant mythmaking. This action spectacle is not without flaws, but whatever narrative heft it lacks miraculously loses its ground in the storytelling — thanks to its adrenaline pill’s maximum overdrive of fun and pleasure. It proves a significant point that when done with the careful combination of heart, effort, and talent, a glorious symphony of violence, action, and manic flair can overcome the need for perfect story. The spectacle ends up so engrossing that it easily overshadows the questionable parts of the tale.

This “Mad Max” flick has more than just “What a lovely day” can offer.

This exhilarating piece of post-apocalyptic popcorn is loaded with fine madness in every nook and cranny of it. Early on, it readily gears up for a desert adventure full of mind-blowing action sequences to rival just about any other awesome action sequence ever to grace the big screen. Add up the subversive wit, propulsive momentum, feminist roar, and hilarious sexual politics and you get a full-throttle action flick that is inexplicably kick ass in every way.

Milking on the franchise for the fourth time after three decades, this “Mad Max” reboot, still helmed by the ultimate “Mad Max” hero George Miller, works as a road movie centering on the escape of an unlikely group from the greedy men in control of human’s basic resources. This leads to a feature film-long chase where a cult of manipulators and the manipulated do everything they can to catch the ragtag team led by Furiosa and Max.

This motion picture makes a stark statement about humanity’s violent tendencies. Imagine how these maniacs survived the world’s end and how they would probably blow it up again if they get the chance to take whatever’s left. Another interesting point in this film is how it becomes a testosterone and estrogen mash up. Max, Furiosa, and the rest of the escape group develop interactions and varying human relationships more than gender, culture, and beliefs and beyond what their wild society defines and dictates.

Plot, subtlety, logic, and character development get tossed out the window at the expense of staging a triumph of kinetic action in this motion picture. Interestingly, it succeeds in doing that as its hyper-accelerated rush of oil-fisted explosiveness spot-on hits that elusive nerve for insane entertainment to tickle the fanboys and the fangirls.

As an epitome of a badass thrill ride, this scrap-metal demolition derby makes it a point that the action never stops — unless a few good seconds of breathing time should be counted as such. The well-thought-of audio-visual frivolities are a lot of fun. They turn out as pure guilty pleasure from start to finish. The practical effects and stunts are nothing short of jaw-dropping. Knowing how much of the sets and props are real and completely functional, including the fire-wielding guitar and the speaker truck housing it, adds to that already bone-jarring, visceral impact of this limitlessly inventive masterpiece.

The spectacle promotes gloriously crackling entertainment envisioned by such a brilliant maestro. Full of relentless imagination aptly realized on screen, this two hours worth of rolling thunder is clearly targeted for action junkies. The presentation suggests that this picture is deliberately meant as an overdose of monumental thrills. An incredible array of physical objects moves through its cinematic space in unique ways that each frame can work as awesome wallpaper. Moreover, it lays out all the crazy on screen all at once without losing focus. Everything is an orgy of the loud, the louder, and the loudest.

From the cinematography to the production design, this towering, weird-ass heavy metal of a film suddenly redefines the action template. It sets a new gold standard for action cinema. Its action pieces make many other blockbusters, superhero flicks, and special effects-savvy offerings look like they were rough tests and B-movie projects.

Displaying a perfect balance of practical and CG effects, what primarily sets this movie apart from its contemporaries is how much it feels homegrown and handmade while still maximizing the benefit of digital wizardry. Its revved up vision showcases such a gloriously twisted design fitting its theme, story, and even its social context. It doesn’t try hard to incorporate its key messages and it just fits enough to make a hyper-accelerated rush of weirdness and insanity rightfully orchestrated to both entertain and tickle social values.

This gorgeously rendered warfare of a flick injects ferocious fuel into the franchise to fire up its sequel cylinders. If this is bait for another trilogy, looks like a good number of old and new patrons will be willing to line up for more adventures with George Miller and his team.

More than just its technical brilliance, the acting performances led by Ton Hardy as Max Rockatansky and Charlize Theron as Imperator Furiosa deliver a significant contribution in achieving the film’s revolutionary effect. While subjective, the ironically toned down madness of Max in the story works well with how he shares the stage with the equally toned down yet equally kick-ass Furiosa. Together, they shine amidst all the crazy elements around. They complement the insanity of their surroundings.

The way the rest of the characters are made to behave on screen promotes a strange kind of flavor for the storytelling, regardless of their level of acting skills. Miller really makes the ensemble work — making perfection even out of the imperfections. Supporting roles including those of Nicholas Hoult as Nux, Hugh Keays-Byrne as Immortan Joe, Josh Helman as Slit, Nathan Jones as Rictus Erectus, and Rosie Huntington-Whiteley, Zoe Kravitz, Riley Keough, Courtney Eaton, and Abbey Lee as The Wives keep up with the needs of the narrative accordingly.

“Fury Road” is beautifully strange, violent, and thrilling. It may be flawed in terms of character development and plot details, but it is undeniably a flawless piece of crazy entertainment. Its whirlwind of fire accelerates to breathtaking heights that nothing else matters.

So buckle up because this is one hell of a ride. It’s mad as hell, but it’s one wild ride worth taking.

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