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Tag Archives: Rianne Hill Soriano

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Still rockin after 7 years… ūüôā If ever you’re flying AirAsia by this November, you may want to check out my film “Technophilia” at the Viddsee channel of the AirAsia free in-flight wifi service. Viddsee selected it for premiere for the program this November (which is my birthday month too) ūüėČ

Thanks, Viddsee!!!

Hi Rianne,

Great news! We’re partnering with AirAsia for the first time to market Viddsee short films to a wider audience across SE Asia. AirAsia has a free inflight wifi service roKKi and we will be having a Viddsee channel under the entertainment section for audience to watch Viddsee short films!

We programme 10 new shorts every month in the channel, and we’re excited to select your film “Technophilia” for the month of November!

Regards,
Nikki

“Technophilia” has been the last independent film i shot to date (i know, it’s been way too long), and i so miss shooting indie films really. Shooting commercial/corporate works for years now to pay the bills. But hopefully i can finally find time to shoot another indie film soon. It’s been so long overdue. Sigh…

And i so miss my production team too. From my staff to my cast, everything was so fun and memorable. It’s not only my shortest short to date, it’s also the shortest i shot — about 6 hours from grind to wrap. And i guess it would be the last i would ever shoot in celluloid (and most likely the last i would shoot without a video assist), unless budget and prod requirements lead me back to film in the future… But i sure do hope i can manage to shoot another international production like this again (my team here was composed of: Iraqi, Korean, American, Japanese, Indonesian, Taiwanese, and Filipino). Indeed, filmmaking can end up communicating beyond the confines of language and even cultural differences — where storytelling becomes a universal language to touch people’s lives.


My Film ‘Technophilia’ Now at AirAsia’s In-flight Wi-Fi Service Via the Viddsee Channel
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Rianne Hill Soriano Demo Reel

This three-minute reel features selected directorial project clips from both my commercial works and independent films.

These excerpts showcase animation, motion graphics and interactive video productions, emotion pieces with kid, family, couple, and adult characters, diverse genre scenes, natural and man-made tourist attractions, industrial spaces, and realty structures.

Music inspired by Ghostpocalypse by Kevin MacLeod (incompetech.com), licensed under Creative Commons: By Attribution 3.0 and arranged and mixed by Philip Arvin Jarilla.

Please watch in HD if you can. Thanks!

Rianne Hill Soriano Director’s Showreel
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How does technology affect your life?

Shot December 2008, premiered June 2009… 6 years after premiere and 3 years after last award, Technophilia is still getting around. Check it out as “Film of the Day” for Viddsee, curated by Alem Ang.

technophilia 1
Shooting Format: 16mm

Screening Format: HD

Running Time: 7 minutes

Acknowledgments: Colorwheel Media Studios, Korean Film Council (KOFIC), Korean Academy of Film Arts (KAFA), and Korea University (KU), Asian Film Professionals Training Program, Hit Productions

You can check out more about the film via its Facebook page: https://www.facebook.com/pages/Technophilia/178031655605594?fref=ts

Via its film blog: http://www.technophiliafilm.blogspot.com

Via IMDb: http://www.imdb.com/title/tt1459060/

And Viddsee: https://www.viddsee.com/video/technophilia/ls76n

Technophilia Poster
Film poster by Joods Feliciano
Thank you to the KoBiz (Korean Film Council), Korean Academy of Film Arts, and Korea University for the support. Thank you to Seymour Sanchez for the opportunity to know about KOFIC. This is the unplanned, spur-of-the moment film that brought me to places. Thank you so much!
My Film ‘Technophilia’ is Film of the Day at Viddsee
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My blog is back online… finally!

But here’s the thing… This blog is currently being manually restored. Yes, each post (except for the more than a dozen posts left in my workable backup file that only backed up my 2006 posts) is being copy-pasted back as blog posts — the entire blog that started in 2006, being copy-pasted back one by one.

With thousands of posts to work on, it would take a really long time to have everything back online. Lesson learned the very hard way: ALWAYS BACKUP EVERYTHING PROPERLY and MAKE SURE ALL YOUR FILES ARE UP AND RUNNING WITH NO TECHNICAL PROBLEM IN YOUR ENTIRE PLATFORM.

A big part of the problem was my hosting issue. I changed my web hosting earlier this month as part of the decision to overhaul everything, since I don’t even get a decent customer support from my prior hosting. This, alongside my own irresponsible way of maintaining my blog through the years, has caused my WordPress files to fail, leading to the impossible means to backup my blog from the prior hosting — I can’t even open my cPanel from my old hosting and it’s taking forever to get a response from technical support.

I’m taking the relatively clean slate to overhaul my entire blog: a much better, cleaner, and more strategic theme, design, and layout; and more organized categories, tags, and links.

I stopped blogging in 2012, the time when I had A LOT of writing stints from about a dozen of U.S. and Philippine writing platforms, which included websites, other blogs, and broadsheets. I didn’t want to stop, but I had to pick my priorities. Since I really needed a lot of money for lots of expenses back then, I stopped blogging to allot more time for all my work loads (imagine shooting, teaching, and doing at least 10 articles per day — everyday).

Now, I want to focus more with my own… I am still doing writing gigs alongside my primary works in advertising¬†and the academe, as well as my polishing of scripts for my future films, but I also want to build back my blog, which I am writing for my own, not just for commissioned works. It’s my very own. I should start loving it again.

So in a nutshell, how has this blog evolved? Read my About Blog page for the short and sweet details.

Hello world, it’s March 2015 and my blog is finally back online!
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The film Aninag by Rianne Hill Soriano

To the staff and cast of Aninag:

Aninag is showing in two film fests this June ūüôā¬†Thank you so much to all of you!!

The New York International Independent Film and Video Festival – Aninag is showing on June 26, 2005.
http://www.nyfilmvideo.com/cgi/schedule.cgi

The New York Filipino Film Festival - Aninag is showing along with The Memories of a Forgotten War on June 12, 2005, in celebration of the Independence Day
 http://www.theimaginasian.com/events/index.php#433
This is an article from Yehey.com:
 http://www.yehey.com/entertainment/movies/article.aspx?i=8170
 Date: 6/27/2005 8:20:49 AM

“Aninag” (“Light’s Play”)
a film by Rianne Hill Soriano

15 mins., 35mm Fantasy/Children New York International Independent Film and Video Festival 2005; Cinema Purgatoryo 2005; New York Filipino Film Festival 2005 Indiemand: The 1st Pi Omicron Independent Film Festival; Pelikula at Lipunan Film and Video Festival 2005

Isabel journeys in a dream world with her new mystical friends “Saya” (Happiness) and “Pag-asa” (Hope) in an attempt to overcome her isolation due to her blindness.

“Aninag” (“Light’s Play”) is a 15-minute narrative shost in 35mm film. Isabel, a blind girl who journeys in a dream world formed through the emotions she feels, plays with her new mystical friends “Saya” (Happiness) and “Pag-asa” (Hope). As they leave, Isabel¬†succumbs to¬†her negative thoughts. Her life becomes endangered. The question is: “How would she overcome her fear, helplessness, and depression in this struggling situation?”

“Aninag” (“Light’s Play”) is a film grant from the National Commission for Culture and the Arts (NCCA). Most of the film stocks used in the film came from Kodak Philippines through the filmmaker’s prize as Kodak Film Awardee 2003 of the UP Film Institute through her thesis film “Karsel” (“Prison”). With the help from production houses Filmex (through a number of short ends and lending of equipment) and Production Village (through a number of short ends), the film was greatly blessed with a good number of generous institutions and artists willing to help out with this kind of independent film production.

The film’s dream sequence was inspired by the storybook “Ang Ika-Sampung Taong Kaarawan ni Prinsesa Mayumi” (“Princess Mayumi’s 10th Birthday”), which the filmmaker originally wrote for the film.

The child actors were from the Advocacy Program of the Museo Pambata (an institution helping deprived, underprivileged, and street children and a museum for kids). The staff was proud of these three kids who each did a great job as first time actress/actor for a 35mm film.

Through the help of the Department of Environment and Natural Resources (DENR, Province of Rizal, Philippines), the City Hall of Antipolo and the Municipal Hall of Rodriguez, Rizal, the bulk of the film (dream sequence) was shot at the historical site of the Wawa Gorge, more familiarly known as the Wawa Dam, in San Rafael, Rodriguez (formerly Montalban), Rizal — where the legend of Bernardo Carpio’s “Dalawang Nag-uupugang Bato”(The Two Clashing Boulders) originated.

The Cast

Patricia de Silva – Isabel

Karla Pambid – Mom

Joel Torre – Dad

David Trinidad Jr. – Pag-asa

Rency Van Dorpe – Saya

Charisse Mara Luluquisin – Fairy dancer

Iroy Abesamis – Fear-fed shadowman

The Production Team

Rianne Hill Soriano – Screenplay and Direction

Wowie Hao – Director of Photography

Chrisel Galeno – Production Designer (Day 1 to 3)

Joy Puntawe – Production Designer (Day 1)

French Lacuesta and Joy Puntawe – Asst. Directors

Ron Dale – Editor

Philip Arvin Jarilla – Musical Scorer

Jason Galindez and Noel Bruan – Audio Engineers

Alda David, Rianne Hill Soriano and Mayleen Enorme-Menez – Production Managers

Iroy Abesamis – Choreographer

AG Sano, Rianne Hill Soriano and Philip Arvin Jarilla – Storyboard Artists

Rianne Hill Soriano – Original children’s storybook made for the film

Al Rio and Ojay Desuasido – Storybook Artists

The filmmaker would like to thank the NCCA, Filmex, LVN, Provill, Optima, Museo Pambata, Kodak Phils., Kontragapi, UP Film Institute, First Call, Sun for All Children, GiantSponge, City Hall of Antipolo, DENR (Rizal), Municipality of Rodriguez, the people of Wawa Gorge, and all those who helped us in the production.

My film ‘Aninag’ screens in the U.S.
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